Mandala Intarsia Sideboard with brushed metal legs, doors with inlays, and structure veneered in natural maple. Doors with push-pull system and fitted with one internal shelf. It is also available in the hanging version.
The author chooses a traditional geometric pattern to show that the quality of results is not determined by the form, but by the use of colors. It is a pictorial pattern he used in specific phases of his career. It goes back to the 1960s and develops an idea that took up a good deal of his time in that period. In each rectangle the colorless light is decomposed into the eight colors of the chromatic circle, so that light becomes visible through the use of colors. Each rectangle is made up of opposing complementary couples, to achieve the maximum chromatic brightness.
